I would personally recommend the Tascam 246 which is this beauty But if you push too far it'll sound bad and you'll start messing up the stuff on adjacent tracks, and you have to allow a little leeway for people getting excited during a take and hitting a chord too hard.Īnyway, have fun - it'll give you the true 1980s/early 1990s experience, for better or worse! Up to a point, the more you push, the better it will sound. You'll have to practice to get a feel for just how far into the red you can push things. They can probably be had very cheap these days, and as others have said, all you need to do is hook 'em up with some RCA cables.ĭo spend some time learning how to slam the levels at each step of the recording process - this is one of the most important factors in getting a decent sound out of cassettes (or, really, any analog tape, but especially cassettes). If you must mix to cassette, get ahold of a decent 3-head deck like a Nakamichi or Tascam. Basically a digital mixdown will sound as good as your multitrack does in the studio - a cassette mixdown will not. The only people who mixed down to cassette back in the day were people like, uh, me, who had no money! The trouble is that you get two generations of tape hiss and general crud - analog mojo is one thing, but there is a huge step up in quality if you mix down to digital (i.e., a computer, DAT or CD recorder) rather than cassette. i don't think that you're going to find many folks around here reminiscing about cassette decks. I don't know about the mix down cassette decks, but surely plenty of them were made back in the day. ![]() However, this "obsolte" machine did start the careers of Ween, Guided By Voices, Primus, John Frusciante, the Moldy Peaches, and countless others who love that old crunch and hiss of cassettes! I know that four-track cassette recorders are hardly ever used or desired anymore, so thanks for taking the time to read about this "obsolete" machine. I am relatively new to recording techniues, so any help/advice/tips are greatly appreciated. So how would I go about mixing down from the Tascam 424 MKIII to another cassette? What equipment would I need ? Can I use just any normal cassete deck like this: Īlso, just to have a more "secure" copy of the cassette, could you transfer your mix from the Tascam to something like Garageband? I know this is wayyyyy old and everything and the sound will suck, but its just what we want. ![]() Personally, we would like to be able to mix down to other cassettes and then give them out to friends. My question is, after the instruments/vocals have been recorded and mixed on the Tascam, how do you mixdown or transfer your final mix from the cassette tape in the Tascam to another medium? From what I have read, there are a few options, and I am looking for suggestions for what will be 1.) the cheapest and 2.) Best quality for its low price: I am going to purchase a 424 MKIII here soon, which is this little 4-track cassette recorder: ![]() I AM VERY SET ON THE TASCAM 424 MKIII, AND HAVE ZERO INTENTION TO PURCHASE A DIGITIAL RECORDER/MIXER, DAW, OR REEL TO REEL TAPE. WE LOVE THE "LO-FI" SOUND OF OLD CASSETTES AND CHEAP GEAR, AND WE ARE MUSICIANS BEFORE WE ARE ENGINEERS. I AM LOOKING TO RECORD WITH SOME FRIENDS JUST FOR FUN-NO PLANS ON PLAYING GIGS, GETTING ON A LABEL, OR ANYTHING SERIOUS.
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